Alice Cooper, the undisputed godfather of shock rock, kicked off his 2024 “Too Close For Comfort” tour with a vengeance at the Fallsview Casino in Niagara Falls on July 30th. At 76 years young, the rock legend proved that he’s still got the chops, the theatricality, and the raw power to captivate an audience like no other. With a career spanning over five decades, Cooper has cemented his place in rock history as a true innovator, and this tour is a testament to his enduring legacy.
Cooper’s current band is a force to be reckoned with, featuring some of the most talented musicians in the business. Guitarist Ryan Roxie, who first joined the band in 1996, brings his signature style and energy to the stage, while bassist Chris Wyse, a newcomer to the lineup since 2024, holds down the low end with authority. Drummer Glen Sobel, a mainstay since 2011, keeps the beat with precision and power, while guitarists Tommy Henriksen (since 2011) and the incomparable Nita Strauss (who first joined in 2014) trade blistering solos and riffs that would make any rock fan weak in the knees.
The setlist was a masterful blend of classic hits and deep cuts, with Cooper and his band tearing through fan favorites like “No More Mr. Nice Guy,” “Under My Wheels,” and “Poison” with the kind of raw, unbridled energy that has defined his career. The rarely performed “Snakebite” was a particular highlight, with Cooper emerging on stage with a live snake coiled around his body, a true testament to his unparalleled showmanship and his willingness to push the boundaries of what’s possible in a rock concert.
But it wasn’t just the music that made this show so special. The stage production was a visual feast, with Cooper employing his signature props and set pieces to create a fully immersive experience for the audience. From the guillotine and the Frankenstein monster to the straightjacket and the giant balloons during “School’s Out,” every element of the show was designed to shock, awe, and entertain in equal measure.
Throughout the night, Cooper rarely spoke, letting his music and his stage presence do the talking. Always the consummate showman, he kept his words to himself until the very end, allowing the audience to become fully immersed in the world he had created on stage. It was a masterful display of showmanship, a reminder that sometimes the most powerful statements are the ones left unspoken.
Of course, no Alice Cooper show would be complete without the man himself, and he was in rare form on this night. His voice was as powerful and commanding as ever, his stage presence as magnetic and mesmerizing as it’s always been. Whether he was stalking the stage with menace during “Feed My Frankenstein” or leading the audience in a raucous singalong during “Eighteen,” Cooper proved once again why he’s one of the most beloved and enduring figures in rock history.
As the main set drew to a close with a thunderous rendition of “Elected,” complete with Cooper in full Uncle Sam regalia, the crowd was left wanting more. And more they got, as Cooper and his band returned for an electrifying encore of “School’s Out,” leaving the sing-along audience in absolute awe. It was the perfect capstone to an unforgettable evening of rock ‘n’ roll magic.
Alice Cooper may be 76 years old, but he shows no signs of slowing down, and thank god for that. With a band this tight, a stage show this mind-blowing, and a catalog of songs that have stood the test of time, Cooper is poised to keep shocking and rocking audiences for years to come. The “Too Close For Comfort” tour is a must-see for any fan of rock music, and a powerful reminder of why Alice Cooper will always be the undisputed king of shock rock.
Setlist:
- Lock Me Up
- Welcome to the Show
- No More Mr. Nice Guy
- I’m Eighteen
- Under My Wheels
- Bed of Nails
- Billion Dollar Babies
- Snakebite
- Be My Lover
- Lost in America
- Hey Stoopid
- Drum Solo (Glen Sobel) (with snippets of Black Juju)
- Welcome to My Nightmare
- Cold Ethyl
- He’s Back (The Man Behind the Mask)
- Poison
- Feed My Frankenstein
- “The Black Widow” segment from Alice Cooper: The Nightmare
- Guitar Solo (Nita Strauss)
- Black Widow Jam
- Ballad of Dwight Fry
- Killer / I Love the Dead (band only)
- Elected
Encore:
- School’s Out
All photos by Dan Savoie