Mirabella (Joey Ouellette & Michael K Potter). Photo by Kieran Potter
In the rich tapestry of contemporary theatre, it is increasingly challenging to find a production that both surprises and delights, breaking new ground while delivering a poignant narrative punch. “Mirabella,” penned by Windsor’s homegrown talent Joey Ouellette, effortlessly surpasses these criteria, presenting an unforgettable evening of theatre at The Shadowbox. Running for one last weekend, from June 29 to July 1, this play is a must-see on the cultural calendar.
Ouellette’s “Mirabella” whisks us away to the dreary landscape of Butcher’s Town, a place characterized by a tangible despair and the ubiquitous shadow of local slaughterhouses. But it’s within this grim tableau that the Mirabella, a ballet theatre, shines bright, serving as an oasis of beauty and hope in the otherwise grim existence of the town’s denizens. The plot gains momentum when Detective Michael Byrne, a former resident, returns to his old stompin’ grounds to unravel a murder mystery at the theatre. As the narrative unfurls, Byrne embarks on a labyrinthine journey of self-discovery that is as enlightening as it is unsettling.
Ouellette’s playwriting prowess shines through in “Mirabella.” The story’s intricate design weaves together elements of love and obsession against the backdrop of a captivating murder mystery. Ouellette probes the fine line dividing love from obsession, providing an insightful commentary that encourages the audience to reassess their own perceptions of these complex emotions.
Winner of the 2022 Windsor-Essex Playwriting Contest, Mirabella is the third of Ouellette’s scripts to win the annual contest, which is coordinated by Post Productions.
The production’s minimalistic set design, at Ouellette’s request, is remarkably effective. It concentrates the audience’s attention on the intricacies of the plot and the richness of the characters. This ingenious aesthetic decision enhances the emotional intensity of the narrative and facilitates a more profound connection between the audience and the characters.
“Mirabella” is brought to life by an exceptionally talented cast of three, each playing multiple roles with impressive versatility. Ouellette himself excels in his dual roles as Detective Byrne and janitor Conrad Keyo, demonstrating an awe-inspiring ability to navigate contrasting characters. Fay Lynn is equally compelling as Detective Lila Osillic and Sherri Carter. The nuanced interaction between Ouellette’s Byrne and Lynn’s Osillic provides a unique narrative dynamism, presenting an engaging subplot as they unravel the Mirabella’s dark secrets. Their evolving relationship and individual transformation add depth to the story, enriching the overall plot.
The star that shines the brightest in “Mirabella” is undoubtedly Michael K. Potter, who not only directs but also slips into the skin of three very distinct characters, showcasing a mastery of the craft that is seldom seen. His transformation across the various roles – Stephan Illyich Lebedev, Benjamin Burrows, and Eamon Conner – is not just about adopting different accents and physical traits, but about embodying the intricate psyche of each character. His portrayal of the old ballet master, Stephan Illyich, is particularly memorable. With a well-crafted accent, a keen understanding of the character’s ethos, and a nuanced portrayal of Illyich’s complex personality, Potter’s performance is nothing short of a masterclass in acting.
At its core, “Mirabella” presents a profound exploration of art as both a sanctuary and a catalyst for self-discovery. This dual portrayal of art, as an escape from grim realities and a window into new possibilities, is handled deftly. The resolution of this theme in Detective Byrne’s story provides a compelling, if somewhat melancholic, conclusion.
Check out “Mirabella” for one last weekend (June 29, 30 and July 1) at The Shadowbox Theatre and experience what very well could be Windsor’s dramatic play of the year.
For more visit postproductionswindsor.ca.
